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POINTS OF ENTRY presents an international exchange
project, including a touring exhibition of installations and embodied
electronic sculptural works/online streaming and public forum,between
Australian, Canadian and New Zealand artists. Participating Artists: Jon Baturin, Jocelyn Robert and Daniel Jolliffe, Simone Jones and Hope
Thompson, Canada. Sophea Lerner, Greg Bourke, Leigh Hobba, Andrew Burrell, Australia. Sean Kerr and Kim Fogelberg , Virgina King, Yuk King Ta, Alex Monteith,
New Zealand. Project Curator: Nina Czegledy, Canada Co-curators: Robin Pettard, Australia, and Deborah Lawler-Dormer, New
Zealand. Tour coordination: Jon Baturin, Canada, Michael Edwards, CAST Touring,
Australia. PREMIERE OPENING: NEW ZEALAND February 8, 2003, Moving Image Center MIC, Auckland, (New Zealand) PREMIERE OPENING: AUSTRALIA June 6, 2003 Contemporary Art Services Tasmania CAST, Hobart, Prospective venues: Perth Institute of Contemporary Arts, PICA, Perth Institute of Modern Art IMA, Brisbane, Experimental Art Foundation,
Adelaide, Artspace, Sydney POINTS OF ENTRY: Future plans. Completing the New Zealand/ Australian tour, plans are in progress to
bring and tour the project in Canada in 2004/2005. POINTS OF ENTRY, presents for the first time ever a joint new media
project, a landmark collaboration between Canada, New Zealand, and
Australia. The works to be exhibited address contradictions and diverse
possibilities of working with digital and interactive technologies. The
installations range from self-standing kinetic sculptures, to sound works
and dvd projections to what appears at first to be high speed model cars,
but on closer examination are machines that move so slowly they take will
decades to move a small distance. A characteristic of all of the works is
their physical nature; some are sculptural, while others focus on physical
and spatial interaction. POINTS OF ENTRY, the title of the show, implies options and
possibilities for audience engagement with the works. While the concept of
interactive art is suggestive of choice and freedom, it is useful to
consider the extent of these choices. The question remains: within the
digital domain of preconceived computer works, programmed virtual art and
interactive sculptures, how much actual freedom, how much control over our
choice remains? Each work in the show takes a different approach to these
problems, some use simple interactions, or have pre-programmed behaviours,
others subvert the conventions of what we term "interactivity". A common
approach of the contributing artists is a refusal to allow the technologies
to dominate the works. As a result these works are subtle and simple, and
aim to create an open-ended dialogue. It should be noted, that this genre
of work is often overlooked in the realm of art (and technology), possibly
because of their often low-tech and alternative approaches. POINTS OF ENTRY is in many aspects intended to reflect the "peripheries
reinforce the center" philosophy, thus featuring uncommon but complimentary
combinations of artists and artworks. The regional venues, the peripheries as the points of entry on the other
side of the Pacific also harmonize with this concept. Bringing together the works from different countries and varying
contexts allows the possibilities for new dialogues to form within the
project. POINTS OF ENTRY the touring of this project has been generously by the
Canada Council for the Arts, the Ontario Arts Council and the Arts and
Cultural Industries Promotion, Department of Foreign Affairs and
International Trade, Canada. |